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		<title>Iron on UV Lamp Core</title>
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			<lastBuildDate>Mon, 01 Jun 2026 06:03:48 +0800</lastBuildDate>
		
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				<title>Iron doped gallium iodide lamp</title>
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				<pubDate>Mon, 01 Jun 2026 06:03:48 +0800</pubDate>
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				<description>&lt;p&gt;&lt;img src=&#34;http://uv-lamp-core.com/images/a340ed1f2aa85198d59ebbbb11cc1cc2.png&#34; alt=&#34;Iron doped gallium iodide lamp&#34;&gt;&lt;/p&gt;&#xA;&lt;p&gt;On a garment line, the curing station is usually the quiet workhorse—until it isn’t. You lay down high-opacity whites, stack passes, and toggle between plastisol-like formulations and low-cure-temperature systems. Either the lamp keeps up, or you back the press down to avoid incomplete cross-linking, surface tack, and inter-color adhesion failure. The shortwave UV versus LED UV discussion isn’t theoretical. It shows up in line &lt;a href=&#34;https://henruite.com&#34;&gt;speed&lt;/a&gt;, ink chemistry limits, and whether your curing energy stays stable across an entire shift.&#xA;Fashion doesn’t pick the source. Performance does—specifically, which source can deliver the photon flux at the right wavelength to kick off photoinitiator decomposition, then hold that output for thousands of hours inside a compact, air-cooled lamp. In a lot of garment decoration workflows, the iron doped gallium iodide lamp is the only practical answer.&lt;/p&gt;</description>
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